{"id":5379,"date":"2024-07-05T08:30:00","date_gmt":"2024-07-05T05:30:00","guid":{"rendered":"https:\/\/blogbjc.bjc.ro\/?p=5379"},"modified":"2024-07-03T19:01:01","modified_gmt":"2024-07-03T16:01:01","slug":"muzeologia-radicala-sau-ce-anume-e-contemporan-in-muzeele-de-arta-contemporana-de-claire-bishop","status":"publish","type":"post","link":"https:\/\/blogbjc.bjc.ro\/?p=5379","title":{"rendered":"Muzeologia radical\u0103 sau ce anume e \u201econtemporan\u201d \u00een muzeele de art\u0103 contemporan\u0103, de Claire Bishop"},"content":{"rendered":"\n

\u00cen eseul Muzeologia radical\u0103 sau ce anume e \u201econtemporan\u201d \u00een muzeele de art\u0103 contemporan\u0103,<\/em> istoricul \u0219i criticul de art\u0103, Claire Bishop analizeaz\u0103 trei modele de muzee europene mai radicale, mai experimentale, oferind o abordare mai politizat\u0103 a momentului istoric actual \u2013 Van Abbemuseum din Eindhoven, Museo Nacional Centro de Arte Reina Sof\u00eda din Madrid \u0219i Muzej sodobne umetnosti Metelkova (MSUM) din Ljubljana. Toate trei prezint\u0103 alternative conving\u0103toare la mantra dominant\u0103 a lui mai mare e mai bun<\/em> \u0219i mai bun e mai bogat. <\/em>Mai degrab\u0103 dec\u00e2t s\u0103 urmeze curentul principal recunoscut, aceste muzee apeleaz\u0103 la cea mai extins\u0103 gam\u0103 de artefacte pentru a situa arta \u00een rela\u021bie cu istorii particulare care au relevan\u021b\u0103 universal\u0103.<\/p>\n\n\n\n

Autoarea confrunt\u0103 dou\u0103 modele de contemporaneitate. Primul se refer\u0103 la prezentism: condi\u021bia de a lua momentul actual drept orizont \u0219i destina\u021bie a g\u00e2ndirii noastre acesta este ast\u0103zi uzul dominant \u00een art\u0103 al termenului \u201econtemporan\u201d; el se sprijin\u0103 pe o inabilitate de a \u00een\u021belege momentul prezent \u00een totalitatea sa global\u0103 \u0219i pe o acceptare a acestei ne\u00een\u021belegeri ca fiind o condi\u021bie constitutiv\u0103 a epocii istorice actuale. Al doilea model de \u201econtemporan\u201d se inspir\u0103 din practica celor trei muzee unde contemporanul este \u00een\u021beles ca o metod\u0103 dialectic\u0103 \u0219i ca un proiect politizat, av\u00e2nd o \u00een\u021belegere mai radical\u0103 a temporalit\u0103\u021bii, nu desemneaz\u0103 un stil sau o perioad\u0103 a lucr\u0103rilor, ci mai degrab\u0103 o abordare<\/em> a lor. Una dintre consecin\u021bele abord\u0103rii institu\u021biilor prin aceast\u0103 categorie este o reg\u00e2ndire a muzeului, a categoriei de art\u0103 pe care el o are \u00een patrimoniu \u0219i a tipurilor de spectator pe care le produce.<\/p>\n\n\n\n

Dac\u0103 ultimii patruzeci de ani au fost marca\u021bi de \u201epost\u201d (postbelic, postcolonialism, postmodernism, postcomunism), atunci ast\u0103zi, \u00een sf\u00e2r\u0219it, p\u0103rem a fi \u00eentr-o perioad\u0103 de anticipare \u2013 o epoc\u0103 pe care muzeele de art\u0103 contemporan\u0103 pot s\u0103 ne ajute s\u0103 o sim\u021bim \u0219i s\u0103 o \u00een\u021belegem colectiv.<\/em><\/em><\/p>\n\n\n\n

                                                                                                                                    <\/em>Claire Bishop<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00cen eseul Muzeologia radical\u0103 sau ce anume e \u201econtemporan\u201d \u00een muzeele de art\u0103 contemporan\u0103, istoricul \u0219i criticul de art\u0103, Claire Bishop analizeaz\u0103 trei modele de muzee europene mai radicale, mai … <\/p>\n

Read More „Muzeologia radical\u0103 sau ce anume e \u201econtemporan\u201d \u00een muzeele de art\u0103 contemporan\u0103, de Claire Bishop”<\/span><\/a><\/div>\n","protected":false},"author":2,"featured_media":5380,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5379","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rubrica-de-arta"],"_links":{"self":[{"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/posts\/5379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5379"}],"version-history":[{"count":1,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/posts\/5379\/revisions"}],"predecessor-version":[{"id":5381,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/posts\/5379\/revisions\/5381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/media\/5380"}],"wp:attachment":[{"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}