{"id":6450,"date":"2024-11-22T08:30:00","date_gmt":"2024-11-22T06:30:00","guid":{"rendered":"https:\/\/blogbjc.bjc.ro\/?p=6450"},"modified":"2024-11-12T14:17:24","modified_gmt":"2024-11-12T12:17:24","slug":"lizica-codreanu-o-dansatoare-romanca-in-avangarda-pariziana-de-doina-lemny","status":"publish","type":"post","link":"https:\/\/blogbjc.bjc.ro\/?p=6450","title":{"rendered":"Lizica Codreanu. O dansatoare rom\u00e2nc\u0103 \u00een avangarda parizian\u0103 de Doina Lemny"},"content":{"rendered":"\n<p>Nu doar stele precum Loie Fuller, Isadora Duncan sau Martha Graham au revolu\u021bionat codurile dansului, \u00eengr\u0103dit timp \u00eendelungat \u00een structuri rigide. Contribu\u021bia acestora a fost adesea sus\u021binut\u0103 \u0219i de alte talente ale c\u0103ror nume au r\u0103mas din p\u0103cate \u00een umbr\u0103. Este \u0219i cazul Lizic\u0103i Codreanu.<\/p>\n\n\n\n<p>\u00centr-o <em>carier\u0103 fulger\u0103toare <\/em>de dansatoare, artista a avut timp s\u0103 colaboreze cu cei mai mari arti\u0219ti ai secolului XX: Sonia Delaunay, Fernand L\u00e9ger, Darius Milhaud, Marcel Mihalovici, etc. Improviza\u021biile sale pe marginea <em>Gymnopediilor <\/em>lui Erik Satie, fotografiate de Constantin Br\u00e2ncu\u0219i \u00een atelierul s\u0103u, contribu\u021biile sale \u00een cadrul seratei dadaiste <em>Coeur \u00e0 Barbe<\/em> (1923) \u0219i \u00een cadrul filmului <em>Le Petit Parigot<\/em> (1926), \u00een mod special, sunt momente cu adev\u0103rat remarcabile. Mai mult, \u00een acord cu viziunea sa asupra corpului, Lizica \u0219i-a pus \u00een valoare cuno\u0219tin\u021bele despre practicile t\u0103m\u0103duitoare ale vracilor rom\u00e2ni \u0219i cele de yoga pentru a deschide unul dintre primele cabinete de hatha-yoga din Paris.<\/p>\n\n\n\n<p>Doina Lemny &#8211; cercet\u0103tor la Muzeul Na\u021bional de Art\u0103 Modern\u0103, Centrul Pompidou, Paris &#8211; autoare a mai multor lucr\u0103ri despre Constantin Br\u00e2ncu\u0219i, Henri Gaudier-Brzeska \u0219i Antoine Pevsner, traseaz\u0103 \u00een paginile acestei c\u0103r\u021bi fascinante parcursul atipic al Lizic\u0103i Codreanu, pornind de la documente de arhiv\u0103, \u00een mare parte inedite.<\/p>\n\n\n\n<p>Text preluat din volumul: <em>Lizica Codreanu. O dansatoare rom\u00e2nc\u0103 \u00een avangarda parizian\u0103 \/ Doina Lemny. <\/em>Editura Vellant, Bucure\u0219ti, 2012<\/p>\n\n\n\n<p>Cartea se poate \u00eemprumuta de la Sala de art\u0103 a bibliotecii, etajul 5 est: <a href=\"https:\/\/portal.bjc.qulto.ro\/ro\/record\/-\/record\/BJC1697802\">https:\/\/portal.bjc.qulto.ro\/ro\/record\/-\/record\/BJC1697802<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nu doar stele precum Loie Fuller, Isadora Duncan sau Martha Graham au revolu\u021bionat codurile dansului, \u00eengr\u0103dit timp \u00eendelungat \u00een structuri rigide. Contribu\u021bia acestora a fost adesea sus\u021binut\u0103 \u0219i de alte &hellip; <\/p>\n<div class=\"link-more\"><a href=\"https:\/\/blogbjc.bjc.ro\/?p=6450\" class=\"more-link\">Read More<span class=\"screen-reader-text\"> &#8222;Lizica Codreanu. O dansatoare rom\u00e2nc\u0103 \u00een avangarda parizian\u0103 de Doina Lemny&#8221;<\/span><\/a><\/div>\n","protected":false},"author":2,"featured_media":6451,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-6450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rubrica-de-arta"],"_links":{"self":[{"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/posts\/6450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6450"}],"version-history":[{"count":1,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/posts\/6450\/revisions"}],"predecessor-version":[{"id":6452,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/posts\/6450\/revisions\/6452"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=\/wp\/v2\/media\/6451"}],"wp:attachment":[{"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogbjc.bjc.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}